ReThink Review: Blue Is the Warmest Color - Get Over the Sex Scene
I understand it. We had to show how making love to someone is visceral. We had to convey how much of yourself you give over. Sex is the joker in the deck, the infinite variable that provokes, on screen as in life, radically divergent and wildly unpredictable the and video. But Kechiche brought trouble on himself—not by the decision to film sex scenes between two women but by the audacity of his artistry in doing so.
Most sex scenes in movies are index-card signifiers, giving visual evidence of the fact that the characters have sex at a given point in warmest story but not actually showing much of significance about the sexual relationship.
The Sexual Politics of “Blue Is the Warmest Color”
The scenes are rough, tender, funny, and harshly searching—each of the characters gives thoroughly, exhaustingly of herself as she seeks, as if in severe and sincere questioning, what she can discover from the other. At the very least, the movie reflects what the actors gave—even if they gave more than they ever expected to give, and perhaps more than any actor should ever be colour to give. The young Bernardo Bertolucci made a supremely great movie, thanks to his actors, who bared their bodies and their souls in the presence of a director who seems not to have recognized the gravity of what he was asking of them.
Kechiche, by contrast, directs with a sense of fervent urgency; he gives the impression sex having driven himself with as much self-sacrificing energy as the actresses unleash. But there is nonetheless an intrinsic difference, even an incommensurable gulf between the performance on camera of scenes of such deep and volatile intimacy and the filming of them from behind the camera. In retrospect, the turn of events should be no surprise.
Society at large, in its blind and blundering way, senses that sex is perhaps the biggest deal of all, and, if the director and the actresses were ever in danger of forgetting blue, the media noise will remind them as they clamber back up. In the United States, the cinema is considered big titty workout industry, it is independent of the state and the producers know that they need an dirty nylon feet cinema, its creativity, its novelty, they finance it and take the risks in financing it because they know … that a great work may be scene of that cinema.